We do a lot of Mad Max posts on Retrobacktive. In case you haven’t figured it out, it’s a certain blogger’s favorite movie trilogy (if over 20 years pass between a third and fourth film in a franchise, the first three are a separate “trilogy”). To be fair, the fourth entry, Mad Max: Fury Road, is an awesome addition to the Mad Max catalog. Great action. Lots of fun characters. Stuff actually blows up.
Still, there’s something a bit off about Fury Road. It’s an excellent action flick, but it doesn’t feel exactly like a Mad Max movie. In a previous analysis, heavy examination was put on Tom Hardy’s portrayal as Max. Was it good? Was it bad? Is he simply not Mel Gibson and naturally going to have different mannerisms and quirks that will make his performance unique? Or is there something more going on?
Here’s what’s important to know: George Miller is as meticulous a director as can be. His attention to detail is legendary. In the former continuity of the original Mad Max trilogy, Miller was highly particular of the character’s timeline. His stance in the wake of the success of Fury Road has taken a 180 degree turn. Miller seems to want to treat the series as an anthology. It dismisses a lot of his earlier effort to create a linear story with the dots all finely connected.
So what’s happened? Has Miller changed his position? Are the original movies locked in time, and so far removed from the release of Fury Road that a few out-of-place hiccups were bound to occur? Or…
Is Tom Hardy’s “Max” really the Feral Kid from The Road Warrior?!
WARNING: endless spoilers to follow.
The answer is yes, and here is why:
1) His Family
Mad Max: Fury Road opens with one of the most gratuitous continuity errors in cinema history. Okay, it’s been 30 years since the last film; audiences needed a refresher course in Max’s history. But die hard fans were shocked to see a flashback of Max’s dead daughter.
Max didn’t have a daughter. He had a son, Sprog, who was murdered along with his mother in the first movie. This is the pivotal moment that drove Max “mad.” How in the world could Miller have forgotten this detail? Given how precise he has been in all his other films, it’s impossible to believe he missed this standout component, and even harder to imagine that he just didn’t care. So already, something is off about our hero’s history.
Fury Road begins with narration provided by Max, something he never offered in the previous installments. There is, however, a rather omniscient monologue that opens The Road Warrior, which in a twist we find out at the end is actually the Feral Kid speaking as an older man. So the only time we’ve heard narration from a Mad Max film has been from the point of view of the Feral Kid. Even the term “road warrior” is unique to the Feral Kid, and it’s used by the narrator in both Mad Max 2 and Fury Road.
3) All the Grunts
Aside from the narration, the Feral Kid only grunts and hollers in The Road Warrior. Mel Gibson’s Max had a New South Wales Australian accent. Well, we could assume this is just Mel’s accent. But it doesn’t explain all of Tom Hardy’s grunting throughout the movie. His dialect has a completely different tone and cadence. So is it Hardy’s own spin on the character?
Tom Hardy went out of his way to try to work with Mel Gibson to honor the original actor’s characterization. Seems odd Hardy, who has shown a lot of promise as a credible actor, wouldn’t even make an effort to sound the way Max does in every other film. Yet his mannerisms certainly appear to resemble that of another Road Warrior character.
4) He Can’t Shoot
There is a scene in Fury Road where Max is down to the final four shots of a long-barrel rifle as he tries to take out the Bullet Farmer. He misses, despite the advantage of a large scope, until he has one shot left before conceding his bad aim and handing the weapon over to Imperator Furiosa who blinds the Bullet Farmer by shooting out his headlight.
In Mad Max Beyond Thunderdome as Savannah attempts to lead an unsupported scouting party for Tomorrow-morrow Land, Max stops her by firing multiple well-placed shots around her head using a long-barrel rifle with no scope at all.
According to Miller, Fury Road is supposed to take place after the events of Thunderdome. So when did Max lose his ability to shoot so well?
5) The Music Box
During their drive to the Green Place, Toast the Knowing is seen playing with an antique sound box. In The Road Warrior, Max gave the Feral Kid an antique sound box (they’re visually identical). We can only assume Toast got the toy from Max’s jacket in Fury Road. So what? It’s a desolate future with little-to-no food, water, resources, but there’s a ton of these little, broken music boxes just kicking around?
6) He Barely Knows His Name
When Imperator Furiosa first asks Max his name he doesn’t respond. Maybe he doesn’t care. Maybe he doesn’t trust her. Or… maybe he doesn’t have one? Later when Furiosa is dying and Max performs an impromptu blood transfusion to save her life he tells her his name is Max. His exact line is:
“Max. My name is Max. Max is my name.”
The way he says it sounds ambiguous, as though he were saying it for the first time. The Feral Kid lived his whole life in reverence of Max; he relays this at the end of The Road Warrior. One could theorize not having his own name, he decides during an emotional exchange to take up the moniker of his childhood hero.
7) Time Out of Mind?
The timeline is off. Miller claims Fury Road takes place after Thunderdome. Thunderdome takes place 15 years after the events of The Road Warrior. Max was 45 in Thunderdome; he’s supposedly 37 in Fury Road. Again, continuity errors are frequently dismissed when you have to consider the use of younger actors to play time-locked roles. But that’s for lesser directors. Not George Miller who went so far as to make Mel Gibson wear a single contact lens in one eye throughout Thunderdome to uphold the continuity of the character’s damaged retina from The Road Warrior. Miller could have just as easily said Fury Road takes place before the events of Thunderdome. But…
8) The Best Laid Plans…
Miller is likely holding something back. His comments on the “Feral Kid conspiracy” have been dismissive, but what other reaction should one expect from a visionary director amid reconstruction of his magnum opus? Miller has stated in interviews that he is moving forward with future Mad Max projects. If his intention is to have Hardy’s character be a grown version of the Feral Kid he’s certainly not going to admit it at this point in the series’ production.
Imagine what would happen if a few crafty film theorists guessed that Darth Vader was Luke Skywalker’s father after watching Star Wars: A New Hope, and what would happen if they presented this theory to George Lucas. Would Lucas just admit right then and there that yes, Darth Vader is Luke’s father? “There’s no point in seeing the next movie. You’ve figured out the mystery. Go tell your friends the secret while we scrap production of The Empire Strikes Back since there’s no point in making it now.”
It’s just business. Miller is not going to concede to any fan speculation at this point. With so many mediums and springboards for commentary someone was bound to piece together these clues. Though, to be honest, they were anything but subtle to avid Mad Max fans. Miller’s stoicism, nonetheless, is to be expected and can’t be read into anymore than good marketing.
Tom Hardy is actually the Feral Kid. He grew up in awe of a heroic childhood figure. He pieced together a new V8 Pursuit Special, patched together an outfit that resembled his idol’s, and took on his name when pressed to reveal his identity. The events of Fury Road happen at a transitional period before he becomes the leader of the Great Northern Tribe. At some point he loses someone close to him, as Max did. Perhaps a daughter, biological or adopted. This, similarly, drives him to a breaking point. Though in the post-apocalyptic environment he grew up in, his violent sense of self-preservation is natural. His actions, much like the original Max’s, are in line with the essential behavior of anyone trying to survive such inhospitable conditions. To interrogate every last action of Tom Hardy’s character, or incur endless speculation of his motives, is something of a waste of time. Who wouldn’t be vengeful and unsympathetic in the dystopian wastelands of the outback? But there are more than enough physical clues to shine light on the new “Max’s” true identity.
This leaves us with what George Miller has in store for “Max.” According to tweets from the director there’s “more Max to come.” And a fifth entry in the series has already been given the working title Mad Max: the Wasteland. Some have argued Miller’s intent is to create an anthology series. Others speculate Furiosa will become the new lead character.
Whether or not Tom Hardy’s Feral characterization comes to fruition, examining Mad Max: Fury Road from an alternative lens opens viewers to new perspectives that may reinvigorate interest and personal fulfillment in the films. Despite his attention to detail, Miller is the kind of director who aims to challenge his audience with the hope they will conceive their own interpretations of his work. So if you choose to believe Tom Hardy is the Feral Kid, that’s who he is.
Admittedly, re-watching Fury Road from this perspective elevates the movie to another level of greatness and expands upon it’s range of emotional and mental dynamics…but, it’s still not as good as The Road Warrior.